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I painted this bitten pear with gestural lines and a loose application of watercolour wet on wet. This approach allows the colours to melt together and create a softness that works well in contrast to the dark lines. I work with a non-waterproof ink pen so that I can actively choose to soften some edges
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This week, my sketchbook has been captivated by the quiet, everyday beauty of glass. It’s a medium that presents a unique challenge, and a rewarding one at that. Unlike a solid object, a glass jar or bottle isn’t just about the form itself—it’s about what you see through it, the way it distorts light, and
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I had so many nostalgic memories painting this today! Who else loved Fab Ice lollies during the summer holidays growing up? I painted this in oil paint on an 8×16 inch canvas. It’s currently available on my eBay store. When painting with oil I map out my basic shapes and layout in acrylic paint first.
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When I first started out as an artist, I thought glass was really difficult. But truth be told once the process is simplified it’s actually easy. The structure is really just made up of different shades of highlights and shadows that surround the background colour. I first took my reference photo by placing the glass
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At the moment I’m working on a collection of animals either emerging from shadows or being illuminated by light. Today’s oil painting is of a Gorilla bathing in moonlight. To create this I used a wet on wet technique and began by blocking out the darkest shadows to create an approximate form. I then began
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Meet Charles. A fictional Emu inspired by a real Emu 🥰 Emu’s have so much Character. With their big googley eyes and tufts of scraggly hair. I adore them! Get ready to see how my sketches start out… yep they truly are a scribble! The less precious about it the better. The initial stage is




